GetAmbITion

Get AmbITion! Communicate, collaborate, create and celebrate getting digital in the arts.

  1. Re-Rite: get yourself into the Rite of Spring!


    If you’re not sure about orchestral music, or about going to a classical concert, the the Philharmonia Orchestra’s Digital Residency is FOR YOU :-) Opening at the Bargehouse on London’s Southbank on 03.11.2009, the Re-rite project will:
    “reveal every section of the orchestra performing The Rite of Spring simultaneously “as Live” thoughout a four-storey warehouse building. The public will be able to sit amongst the horn players, perform in the percussion section and take up the baton and control sections of the Orchestra as they play”.

    Says the Philharmonia’s Principal Consuctor Esa-Pekka Salonen, who developed the concept with AmbITion champion Richard Slaney – also the Philharmonia Orchestra’s Digital Department boss:
    “Being inside an orchestra, experiencing the sensation of 101 players taking on this iconic music is one of the biggest adrenalin rushes and one that I want to share with the world. Now we’re doing just that.”
    Re-Rite will be open 3-15 November from 10am – 6pm (8pm Thurs & Fri).
    You’ll also be able to experience it online from 3rd November onwards!!

    Leave a Reply

    Your email address will not be published. Required fields are marked *

    *

    You may use these HTML tags and attributes: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>

    filter
    box
  2. Shift Happens because of digital development (does Seattle Opera miss the opportunity though?)

    Remember the “old” Shift Happens video? Its been updated, and makes the old 2007 version seem ludicrously out of date – watch here:

    Leave a Reply

    Your email address will not be published. Required fields are marked *

    *

    You may use these HTML tags and attributes: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>

    filter
    box
  3. Social Media – your audiences are aggregating and syndicating their content

    Wave4Wave 4 is the latest in a series of reports from Universal McCann (ummm… the fourth one… see what they did there?) about how people are using social networks, especially in relation to aggregating digital content together that they’ve created – like vids and pics, newsfeeds and chats, etc. This reflects my experience – all my specialist online storage facilities (flickr, blip.tv) send feeds of my stuff to my Facebook profile, which in turn updates my Friendfeed, which in turn updates my blog. As far as Twitter and my delicious bookmarks go, those feeds update everything!! Sometimes I read my Tweets on Facebook before I’ve even tweeted them! [Joke].
    Anyway – the report indicates:
    nearly two-thirds of internet users around the globe have managed their personal profiles.

    • 71.1% have visited a friend’s social network page.
    • In the U.S. 60% have managed their profiles in the last six months, up nearly 50% from 43.2% the previous year.
    • 76% of social network members upload photos, up from 45% the previous year.
    • 33% of social network members upload videos, up from 16.9% the previous year.
    • In the Philippines, more than 98% of active internet users* have watched video online; in Korea, Spain, and the U.S., the figure is more than 8 out of 10.
    • The number of people reading blogs has started to stagnate, with 71% of active internet users reading blogs, up from only 70% the previous year.
    • 17% of active internet users access online content through mobile devices as well as home, work, or school computers.
    • 83% of active internet users view video online.

    So that leaves cultural organisations with some decent evidence that investing in social media is worthwhile, particularly if you can be up-to-the-minute with your news and offers, and porous in your attitude to sharing content with users who are increasingly acting like online digital content experts. If they’re free and easy about letting it all hang out, you should too. It all started here, remember :-)

    Leave a Reply

    Your email address will not be published. Required fields are marked *

    *

    You may use these HTML tags and attributes: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>

    filter
    box
  4. Two Cities – One Concert

    On Friday 2nd October 2009 Manchester Camerata will give a performance on a European stage without incurring air miles, without CO2 emissions….without even leaving Manchester.

    The orchestra will play a collaborative concert with Venetian ensemble ExNovo using the power of Manchester’s high-speed broadband network.

    PROGRAMME
    MICHELE DALL’ONGARO Green Piece (joint piece—world premiere)
    OLIVER KNUSSEN Processionals (Manchester Camerata broadcast to Venice)
    LUCA MOSCA Five Small Scherzos (ExNovo broadcast from Venice)
    CHARLES IVES Unanswered Question (Manchester Camerata/trumpet in Venice)

    A live synchronised performance by Manchester Camerata and the Venetian ensemble Ex Novo will be relayed to the 2009 World Forum on the Environment in Venice, via the internet. Manchester Camerata will perform their contribution live at 12.45pm GMT, linking in over the internet with Ex Novo, who will be playing simultaneously at Venice Conservatoire. The resulting performance will be broadcast live to leading experts on the environment, Nobel Laureates and Ministers in the Doge’s Palace, Venice.

    You are invited to join us for this remarkable event which will simultaneously demonstrate the capabilities of Manchester’s broadband network, the power of music to address social issues and the Camerata’s status as a key player in cementing Manchester’s profile as a global city of music.

    DATE Friday 2 October 2009
    TIME 12:45pm
    VENUE Cosmo Rodewald Concert Hall, Manchester University
    www.arts.manchester.ac.uk/martinharriscentre/map.php

    Tickets for this unique event are free. Email Rob Shaw, Head of Development, at rshaw@manchestercamerata.com stating how many you require.

    MDDA has been working with the Camerata to help make this unique event possible. I visited them with my colleagues a few weeks ago, and it was great to see the concert hall in the Martin Harris Centre at the University, and hear of their plans for such a truly collaborative artistic event.

    Leave a Reply

    Your email address will not be published. Required fields are marked *

    *

    You may use these HTML tags and attributes: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>

    filter
    box
  5. UK arts organisations launch iPhone apps

    LPOiphoneappThe Brooklyn Museum did it (see my earlier blog), and now London Philharmonic Orchestra has launched an iPhone app. With over 1.5bn downloads of applications from Apple iTunes store, and the smart mobile fast becoming the ubiquitous device, launching an iPhone is a great strategy, particularly if you can work out what a premium pricing model might be (see my earlier blog on freemium here). The app is currently free, and facilitates the purchase of tickets, shares news and events and music releases, and lets users listen to music. It’s quick to download this application from the itunes app store directly to your device. From your iPhone or iPod touch, visit the App store and search for ‘London Philharmonic’.

    EdFestguideSimilarly, Edinburgh Festivals have released “Edinburgh Festivals Guide” – the only official iPhone application for the largest arts event in the world. The Guide comes complete with full listings for all 7 August festivals, and uses GPS to locate the nearest shows and venues, showing results on a map with simple directions straight to the venue door from exactly where you are. It sort results by location, start time or popularity rating. Additionally, users can read reviews of shows and write their own; call box office direct from the listings to book tickets; view photos of events and venues (and upload their own in the next version); and find out which tickets are on sale at The Fringe Half Price Hut. The iPhone app costs £1.79 – more than the 7 festivals’ free brochures, but less weighty and impactful on the environment. The iPhone app development is a successful innovation initiated by Festivals Edinburgh and the Fringe, delivered in partnership with HedOut. The risk and the reward have been shared by the partnership.

    iFringeFreeiFringe Free is the final iPhone app launched: this app presents the reviews of fringe shows from “independent critics” – not the people on the street nor the official reviews from the Scotsman or Guardian, but from the reviewers of the independent magazines and websites of the Fringe. The titling and the page for the app suggests a “full” version around the corner: expect further functionality and expect to pay for iFringeFull!

    Leave a Reply

    Your email address will not be published. Required fields are marked *

    *

    You may use these HTML tags and attributes: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>

    filter
    box
Creative Scotland Lottery Fund Culture Sparks Rudman Consulting Arts Council England