Get AmbITion! Communicate, collaborate, create and celebrate getting digital in the arts.

  1. New music for a new era - mashups and Twitter concerts

    {Article originally posted to AmbITion Extranet by Hannah Rudman}

    This is the most amazing mash up: a new piece of music called ThruYou created from existing YouTube videos – amateurs and professionals play together! Arts funders, IP gurus and arts organisations take note – this is what can be organised without the organisation!

    Last night my favourite classical musician of the year Peter Gregson of Coffeeloop (an Edinburgh music and technology start-up) performed some microconcerts at Twitter HQ in San Fran yesterday: the Twitter staff were buzzing with it, and so were a global audience who tuned in via a Mogulus streaming channel. Follow his Twitter stream: @petergregson .

    If you're new here, you may want to subscribe to our RSS feed. Thanks for visiting!

  2. Twitter Best Practices List

    From: http://www.twine.com/item/123nqkqw1-qj/share-this-twitter-best-practices-list-help-save-twitter

    THE PROBLEM: TWITTER IS AT RISK

    Twitter is highly vulnerable to spam because of the way it is designed, and because there is a general lack of awareness of best-practices and practices to avoid when using Twitter. This article hopes to help solve that by increasing awareness of these issues.

    Below is a list of Do’s and Don’ts for making Twitter better, and keeping it that way.

    THE TWITTER BEST-PRACTICES LIST

    To help prevent Twitter from filling up with spam and abuse, we need to create a community-driven guide to Twitter Best Practices. This should be communicated and endorsed widely to begin to set some standards for acceptable use.

    Here is a draft, work in progress, list of Twitter best-practices:

    DO’s

    1. DO contribute content of real value to Twitter. These could be useful, clever, entertaining or engaging tweets, and/or they could be links to content that others might enjoy. The best way to get followers, attention and influence on Twitter, is to consistently add content of real value.

    2. DO take care of your Twitter karma. In the near future your Twitter karma will be used to filter you and your content in or out of Twitter feeds. So be careful of your karma. More tools are coming out that measure your Twitter karma and score you based on that. Such as:
    http://www.twinfluence.com
    http://dossy.org/twitter/karma/

    3. DO design applications that talk to Twitter to be polite. If you are making a Twitter application, or thinking of connecting your application to Twitter, think carefully about what it might do to Twitter if lots of people use it.

    • Don’t make it automatically invite all of your users’ followers – make your each of your users select which followers in particular they want to invite one by one, so they have to think about it first.
    • Don’t make it spew out large volumes of frequent and useless status messages to Twitter (for example, “Sue Smith is now on the NW corner of Park and 32nd Street,” “Sue Smith is now on the NE corner of Park and 32nd Street,” or “Joe the Swordsman just defeated Rick the Wizard in a battle” etc.
    • Don’t make it behave like a bot by autofollowing people and sending them frequent @reply messages etc.
    • Don’t make it send DM’s on behalf of your users, without first warning your users that they are about to send DM’s

    DON’Ts:

    1. DON’T use auto-follow. Auto-following rewards spam accounts and bots in Twitter. They simply follow you and you automatically follow them back. Be picky in who you follow. Who you follow reflects on who you are to the rest of the Twitter community.

    2. DON’T bribe people in order to get them to follow you. Don’t offer people prizes or rewards of any kind if they follow you, or if you reach a certain number of followers. Twitter can be more than a high-school popularity contest. But that depends on what we focus on as important (number of followers people have is not important and does not accurately reflect their actual value to the network. The number of RT’s a person gets is a much better measure of their value to the network.)

    3. DON’T DM people unless you think they should pay to read your message. DM’s go to many people’s mobiles via SMS. For many people, receiving SMS messages costs them money, and in some cases they have limits to the number they can receive. Only send someone a DM if you think it is worth them paying to get the message.

    4. DON’T send useless @reply messages to people. Especially people you don’t know. If you send someone an @reply, it should at least be relevant to you and them, and hopefully something they will want to read.

    5. DON’T post spam to #hashtags. Hashtags are a public resource and if you spam them you will actually make them so noisy that nobody will use them. If that happens, hashtags will become useless, even for spam. Spaming hashtags is like polluting your own drinking water. Don’t do it.

    6. DON’T participate in chain letters. For example “RT this and you will have good luck” – they are simply annoying, result in bad karma, and so will not bring you good luck. For example do NOT participate in #TryThis1—it’s dangerous and must be stopped.

    7. DON’T participate in multi-level marketing (MLM) on Twitter. That is not what Twitter is for. If you market something in an overbearing way on Twitter you and everyone downline from you who participates will probably end up losing followers.

    8. DON’T advertise directly on Twitter. Instead, if you want people to get attention to yourself, or your product or service, then contribute content with enough value that people will read it. In the course of reading your valuable contributions, people will discover you and/or your product or service.

  3. Social Networking as used by a Social Media Enthusiast

    From: http://getambition.wordpress.com/2009/03/05/ambition-north-east-roadshow-%E2%80%93-tyneside-cinema-participation-workshop/

    This article is an excerpt of a live blog of the Participation Masterclass with OurManInside aka Christian Payne at the AmbITion North East Roadshow of 5th March.

    Just introduced him and we’re off!

    He’s just asked us to make sure mobile phones are on and Twitterers tweeting. Excellent!

    Did lots of media, travelled 65 countries but wanted to get into photography. Got to work on his local paper when photographer was injured.

    Chose an iconic image and chose the photograph of Che Guevera taken by Alberto Korda “to hide behind”.

    Pointed us to OurManInside.com and is talking about using WordPress as a platform for aggregating blogs, video and other social media. Mentioned using free Revolution Theme by Brian Gardner.

    Started out travelling to Iraq to cover the war as he didn’t believe the news.

    Now sharing about a ‘Crash!’, a blog post that started life when he twittered a video after a car crash.

    Within minutes of the crash, was approached with a crane to help remove car, offers for a fund to help replace car.

    Learnt from that about the importance of sharing about his life on life – there are people out there willing to help you.

    Now passing round a Kodak ZI6 camera which he uses to grab, engage and promote content. Also using the Nokia N95 as his main work tool. (yes he would like a free one please!)

    You can do everything from a mobile phone, you don’t need to edit…

    Top tip: Dabr.co.uk

    He doesn’t do Facebook though. “Not Google-searchable and you need to go on a course to learn how to use the Privacy controls!”

    @Documentally’s Tool Kit: Twitter, WordPress, Flickr, 12 seconds, Qik, Viddler, YouTube, Phreadz, Bambuser.

    Really likes Twitter because you can check out people’s credibility – eg he can check out a plumber and find out how good he is.

    Quite happy to put stuff on Flickr, it grows his network and he can use a tool to find out wherever his pictures are being used in the world. Not concerned about people ’stealing his pictures’, uses Creative Commons licences.

    Was able to invoice a newspaper when he discover that they were using his picture!

    Talking about Qik and Bambuser whilst interviewing the Prime Minster.

    Costs =

    £20 for WordPress theme because he wanted to give credit to the theme designer

    £20/year for Flickr

    Seesmic, so many different applications, sign up and try them…

    Question from the floor: What about Vimeo? Likes Viddler because he met the founders, agrees Vimeo is very nice too.

    Is able to get jobs like going out to the Middle East to do work on refugee crisis just from “throwing stuff online”.

    Phreadz – drag videos from the web and have conversations around it. Link to, have discussions around, embed…

    Universities now using it to allow students and lecturers to share video, incredibly popular. Still in private beta however.

    12 seconds.tv – ‘record a 12 second update’

    ‘How to do a 12’ lesson – Don’t ever speak over 12 seconds!

    If you want to talk about what you’re doing… try to get involved in conversations.

    Restaurant in London using 12 seconds to film their special of the day. Also film the making of it, really doing well from it!

    Discovered that if he spent life with a hood over his head he wouldn’t be able to make as much out of his life.

    Now has two monitors, one for work and one for friends. Can communicate with friends and switch on and off when he wants to (and they want to). Has a vastly improved social life from becoming a video blogger.

    Read the rest here: Christian Payne’s Participation workshop at the AmbITion North East Roadshow.

  4. Watching it Online: mobile video, HD video

    {Article originally posted to AmbITion Extranet by Hannah Rudman}

    Christian Payne made this excellent video – on his mobile phone – of his day in Manchester, speaking at AmbITion’s latest networking/training event: Digital Content re:connected.

    Christian spent all day with his mobile in hand, capturing soundbytes and conversations. One of his observations about videoing with mobile is that people are far more natural and open when faced with a tiny phone camera than they are when a big lens and mic are presented, and this lovely personal and reflective video proves it!
    Also check out the live blog archive and Twitter stream from the day. Over 40 people enjoyed the event live, with over 200 tuning in via the web stream.

    Abandoning TV altogether, MSN and Endemol have launched Kirill, an interactive online sci-fi show. The Kirill series will run for ten episodes of three minutes each, following the stories of two characters living in a mysterious world. the content is free, bumpered with advertising – and as ever with online content, extremely context aware advertising – in this case, X-Box 360.

    Produced by Endemol and Pure Grass Films the show will screen in High Definition through Microsoft Silverlight technology (Mac users get the plug-in via Firefox).The HD quality may be the missing link that some arts organisations have been waiting for the web to deliver before they were prepared to show video and audio online.

    Kirill watchers will be invited to get involved with the show through character blogs, videos and audio films, which will be hidden across the web. Secret websites will also be created to help watchers decipher clues about the plot and characters. This looks like the mainstreaming of Alternative Reality Games – ARGs – into interactive and interesting popular content. Its a brilliant way to empower people to use the web creatively and fully.

  5. Wikinomics at work: collaborative policies, economics and projects

    {Article originally posted to AmbITion Extranet by Hannah Rudman}

    Virtual collaboration tools, and their strength to make a difference to politics, economics and projects by enhancing knowledge transfer and innovation, are in the news.

    Collaborative politics

    Yesterday, The Observer reported Barack Obama’s internet strategy as being key to his winning of the election: I reported his own social network about 18 months ago, and since then, his campaign has used 3.1m “netroots” – people hooked into Obama’s facebook, MySpace, Twitter and YouTube channels, who effectively pump his messages back out to their own networks and discuss them. Obama has given politics back to the people and invited them into a discussion directly with him: the media sit outside that relationship as they can’t control it. Promising a big investment in the US’s broadband infrastructure, and a YouTube broadcast each week, lets hope we’ve finally got a President who will practice 21st century politics.

    Collaborative economics

    Which brings me onto 21st century economics – Google’s quarterly profits have risen 26% over a period of economic meltdown. The Guardian’s Jeff Jarvis reflects on this today saying:
    “Google’s first advantage is being digital. Who wants to be in the business of stuff any more – building cars, printing newspapers, selling CDs, growing food? Owning and controlling stuff was the basis of most business. And the reflexive response to a collapse in finance and equities used to be to return to the real: buy property. No more. Now the best retreat is to the value of knowledge”..

    Google is based on creating an abundance of data about data, and a platform for countless businesses to be created using that information for niche markets. Similarly Facebook is based on sharing data – with friends and family, but also and more importantly, with a wider network of contacts you wouldn’t normally share so much with. Sharing more has led to more connections, more knowledge transfer and more innovation. Mark Zuckerberg, founder of Facebook and this weekend interviewed in The Observer Magazine says: “Facebook [is] not such an amazing technological feat – it’s just a group of tools and platforms – an evolution of communication”.

    Collaborative Projects
    Ed Mitchell and Clare Reddington of Watershed’s iShed have just launched a really interesting report called “Which Widget For What?” that explores – through measuring a real and virtual project – the different strengths and weaknesses of virtual and physical working as well as the effectiveness of digital web 2.0 widgets to support the knowledge sharing and innovation. The headlines are that physical meetings work best for encouraging people to share ideas and make connections; blogs work well to follow the development and ongoing analysis of a project (its a narrative form); and tools like MindMeister (online, editable, collaborative mindmapping) work well as virtual collaborative tools, pulling together the wisdom of the crowd after the physical event.

    Collaboration and transparency – wikinomics – are clearly working as 21st C business tools for growth.

Scottish Arts Council Glasgow Grows Audiences Ltd. (GGA) Rudman Consulting Arts Council England